I’ve been to many concerts over the years, more than some
people, fewer than other people.
I’ve paid for concerts and snuck into concerts. In those years, I’ve seen some
performers more than once and for a long time, Neil Diamond and Corky Siegel
remained tied. They no
longer are.
Neil Diamond concerts are fun. Always. His
audiences love him and know the music and sing along for everything. He puts on a good show, and I have
enjoyed every performance.
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| Big sound from a little guy. |
I first saw Corky in Chicago. I think it was Alice’s on Wrightwood. Regardless of whether I have the name
and place correct in my memory, it was a small dive on a small Chicago side
street. Siegel-Schwall
played the blues. The best kind of
blues. Chicago blues. Four guys having fun on the
stage, and their enthusiasm and pure joy on the stage always impressed me. Jim Schwall played an amplified
acoustic back then long before the current Americana music trend popularized by
Mumford and Son and the Avett Brothers.
Corky played harp, small in stature but always large in sound. With their drummer and bass, they
played the blues. They played
Chicago blues.
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| Before acoustic was cool again |
I saw Siegel-Schwall play William Russo’s symphony
compositions with the Milwaukee Symphony at the old Summerfest grounds before
there was the Marcus Amphitheater with it’s molded chairs under a roof. Fans sat by the band shell on logs and
railroad ties. Over the years,
Corky and Jim still played together but not as much. Schwall went on to Madison where he is a music professor. Siegel moved his harmonica playing to
mix with string quartets in something he calls Chamber Blues.
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| Rollo Radford |
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| The Amazing Sambo |
Last night at Turner Hall they got together for a special
concert, to celebrate their drummer’s 79th birthday. Sam Lay is the epitome of the blues. He played with many of the familiar
names of early Chicago blues era.
Willie Dixon, Howlin' Wolf, Eddie Taylor, John Lee Hooker, Junior Wells,
Bo Diddley, Magic Sam, Jimmy Rogers, Earl Hooker, and Muddy Waters. He played with the Paul Butterfield
Blues Band. He played with Bob
Dylan at Newport when Dylan brought electric sound to the folk festival. Listen to many of those old Chess
records. That beat is Sam
Lay. He joined Siegel-Schwall in a
later incarnation of the band, but together with bassist Rollo Radford, they
still played the blues.
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| The Legendary Sam Lay |
Corky used to tell a joke about Sam. Sam went backstage to talk with Bob
Dylan at some event. When he got
back to his seat, people were asking him, “Sam, how was it to talk with a
legend?” Sam said, “Bob thought it
was pretty cool.”
Through all the incarnations of the band, the men up on the
stage have always showed a joy in being in front of an appreciative
audience. Whether it was Siegel-Schwall, or
just Siegel, with the band, with a viola and cello, with a symphony, I have
never been disappointed. Some performers
just go through the motions. Some
lip sync their way through a show.
Some charge hundreds of dollars for a seat where your nose bleeds. I am glad that through the years,
Siegel-Schwall has remained raw, real, and energetic. It truly is a joyful noise.






